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Chart reference · Drawing Tools

Pattern & Elliott Tools

Every tool in this flyout is a zig-zag through a fixed number of clicks that letters its own corners — so an XABCD comes out labelled X, A, B, C and D, and an Elliott impulse comes out labelled 0 through 5.

The Chart page — patterns you draw on the left, patterns the app finds on the right — the live page, with each part numbered
Fourth button down
The fourth button on the rail holds the fourteen tools you place by hand, one click per vertex.
The Chart page — patterns you draw on the left, patterns the app finds on the right — captured from the live page. Hover a number to see what it is.
What

What this page is

The fourth button on the rail holds fourteen tools in three sections. Patterns has the six harmonic and classical shapes. Elliott Waves has the five standard labellings. Cycles has three tools that take one period and repeat it across the chart.

The eleven pattern and wave tools all work the same way. You click one anchor per vertex, in order, and the tool draws the zig-zag through them and prints the letter or number that belongs to each corner. The click count is simply how many vertices that pattern has: four for an ABCD, five for an XABCD, six for a Three Drives, seven for a Head and Shoulders.

Some of them add more. XABCD, Cypher and Triangle shade the wings between consecutive legs. XABCD, Cypher, ABCD and Three Drives print each leg's ratio against the leg before it, in small grey figures at the midpoint — that is the number a harmonic trader is actually checking. Head and Shoulders draws a dashed neckline between the two armpits and runs it past both shoulders.

The three cycle tools take two clicks that define one period and then repeat it. Cyclic Lines repeats it as vertical rules, Time Cycles as semicircles sitting on the baseline through your two anchors, and Sine Line as a continuous wave with the amplitude your second click set.

This is the one flyout where colour carries meaning. All fourteen tools have a fixed signature hue that nothing else uses, so a chart with three different patterns on it is readable — the violet one is always the Cypher, the blue one always the Elliott impulse, the red one always the correction. Each hue has three shades, dealt in order, so placing the same tool twice gives you two objects you can still tell apart.

Why

Why it helps you

If you trade
Days to weeks · you care about timing and the crowd.
  • The letters are the point. A harmonic pattern is an argument about which swing is which, and the tool writing X A B C D onto the chart is what makes that argument reviewable a week later.
  • Read the leg ratios rather than the shape. A pattern that looks like a Cypher but whose legs come out at nothing like the expected ratios is not one, and the small grey figures at each leg midpoint tell you that immediately.
  • The Head and Shoulders neckline is the tradeable line, not the shoulders. It is drawn dashed and extended past both, so you can see where it sits ahead of the break.
  • Elliott counts are opinions. Place two, in two shades of the same blue, and let the market invalidate one of them rather than defending the first one you drew.
If you invest
Months to years · you care about quality and price paid.
  • On a long-term chart the useful shape here is Head and Shoulders, because a completed one on weekly or monthly candles is a genuine change of trend rather than a week of noise.
  • The Elliott tools are worth using as a way of writing down where you think a long advance sits in its own life. Labelling a decade 0 through 5 forces the question of whether you are buying wave three or wave five.
  • The harmonic patterns are short-horizon tools and rarely add anything to a multi-year holding decision.
  • Cycles are the weakest claim on the page. If a stock has genuinely turned on a regular interval for years, the tool will show it; more often it will show a coincidence.
When · Where

When to use it, and where to find it

  • After the last leg of the shape has actually formed. A pattern anchored to a swing that is still in progress relabels itself every session.
  • When you want to record a count or a pattern you will be reviewing later, rather than acting on immediately.
  • When the automatic detectors on the chart have marked something and you want to draw your own version of it to compare.
  • Before a neckline break, so the level is already on the chart when it matters.
How to

Try it — a short walkthrough

  1. 1
    Pick the pattern and click one vertex at a time
    Open the fifth rail button and choose, say, ABCD. Click the four swing points in order. The tool letters each corner as you go and finishes on the last one, then the rail returns to the cursor.
  2. 2
    Use the magnet for the vertices
    A pattern is entirely defined by where its corners sit, and a corner half a candle off changes every leg ratio. The magnet button below Undo snaps each click onto the nearest open, high, low or close.
  3. 3
    Check the ratios the tool prints
    On XABCD, Cypher, ABCD and Three Drives, the small grey number at each leg midpoint is that leg divided by the one before it. Compare them with what the pattern is supposed to have before you believe the label.
  4. 4
    Label a wave count
    Choose Elliott Impulse Wave and click six points — the origin and the five wave ends. It prints 0, 1, 2, 3, 4 and 5 on them, always in its own blue, so a second count placed later comes out in a different shade of the same hue.
  5. 5
    Fix a corner without redrawing
    Press Esc or the cursor button, click the pattern to select it, and drag any of its handles. The letters, the shading and every printed ratio recompute as the vertex moves.
In detail

Every part, up close

The Chart page — patterns you draw on the left, patterns the app finds on the right. Each part with a close-up of the real screen; the numbers match the dots on the picture.

1

Fourth button down

The fourth button on the rail holds the fourteen tools you place by hand, one click per vertex.

Fourth button down — on the live page
2

Your own labelling

The zig-zag and its letters come from your clicks, so the count on the chart is your reading of the structure rather than the software one.

Your own labelling — on the live page
3

The detectors

The chips on the right edge are the opposite arrangement — CP, E1 and E2 find patterns for you and draw them, where this rail is where you draw one yourself.

The detectors — on the live page
Detail

Reading the numbers

  • XABCD Pattern — 5 clicks, labelled X A B C D. Shades the two wings and prints each leg ratio, with a dashed chord from X to D.
  • Cypher Pattern — 5 clicks, labelled X A B C D. Same construction as XABCD; a separate tool because it is a different rule set and gets its own signature colour.
  • ABCD Pattern — 4 clicks, labelled A B C D. Prints the leg ratios, no shading.
  • Triangle Pattern — 4 clicks, labelled A B C D. Shaded, no ratios.
  • Three Drives Pattern — 6 clicks, labelled 0 1 A 2 B 3. Prints the leg ratios.
  • Head and Shoulders — 7 clicks. Only three vertices are captioned — LS for the left shoulder, H for the head and RS for the right — and a dashed neckline is drawn between the two armpits and extended past both shoulders.
  • Elliott Impulse Wave (12345) — 6 clicks, labelled 0 1 2 3 4 5.
  • Elliott Correction Wave (ABC) — 4 clicks, labelled 0 A B C.
  • Elliott Triangle Wave (ABCDE) — 6 clicks, labelled 0 A B C D E.
  • Elliott Double Combo (WXY) — 4 clicks, labelled 0 W X Y.
  • Elliott Triple Combo (WXYXZ) — 6 clicks, labelled 0 W X Y X Z.
  • Cyclic Lines — 2 clicks. The span between them becomes one period, repeated as vertical rules across the chart in both directions. The first two are drawn at full strength and the repeats faded.
  • Time Cycles — 2 clicks. The same period drawn as semicircles resting on the baseline through the anchors, with the baseline itself shown dashed.
  • Sine Line — 2 clicks. One wavelength from the horizontal span and one amplitude from the vertical, repeated as a continuous wave.
  • Fourteen fixed hues, in three shades each: the Elliott impulse is blue and the correction red, following the convention that motive structures are cool and corrective ones warm. The remaining twelve are spread evenly round the wheel so no two neighbours in the flyout are neighbours in colour. The flyout row itself is tinted with the tool's own hue, which is the only place the mapping is written down.
  • XABCD, Cypher and Triangle Pattern shade their interiors, so those three carry background colour, visibility and opacity controls in the settings dialog. The rest draw lines only.
Honest limits

What it does not do

  • None of these tools finds anything. They draw where you click and letter what you clicked; the judgement about whether the shape is really there is entirely yours. The automatic detectors are a separate system, on the chips down the right-hand side of the chart page.
  • A pattern anchored while its last leg is still forming will change every time a new high or low is made. Wait for the leg to finish, or expect to move the handle.
  • The printed leg ratios are measured in price only, ignoring how much time each leg took. Two patterns with identical ratios can be very different trades.
  • The three cycle tools repeat their period a fixed forty times each way. That is enough to cross any view, but the repeats are a projection of one measurement and nothing checks that the interval was ever regular.
  • All fourteen tools can be drawn on the Chart page, so nothing in this flyout is greyed out. If the engine ever could not draw a tool, its row would be disabled with a tooltip saying so.
FAQ

Questions people ask

Why does Head and Shoulders want seven clicks when it only labels three?

Because the shape has seven turning points: the start, the left shoulder, the first armpit, the head, the second armpit, the right shoulder and the end. Only the three that have names are captioned, and the two armpits are what the dashed neckline is drawn between.

Can I change a pattern's colour?

Yes, from the property bar or the settings dialog like any other object. The fixed hue is only what a new one is created in — it is there so a chart carrying several patterns stays readable, not to stop you overriding it.

What are the small grey numbers on the legs?

Each is the length of that leg divided by the length of the leg before it, in price terms. XABCD, Cypher, ABCD and Three Drives print them; the other patterns do not.

Why did my second Elliott count come out a different shade?

Deliberately. Each signature hue carries three shades dealt in order, because the same tool is often placed several times on one chart for nested degrees or alternate counts, and the shade is what separates them while the hue still says what they are.